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Ages 14+. Children under 4 are not permitted in the theater.

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Oh, Mary! on Broadway - NYC [37743]

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Oh, Mary! on Broadway

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Oh, Mary! - NYC  - Product Media

Two actors in period costumes on stage. One, in a black dress, crouches with a shock expression, while the other, in a white and teal dress, sits with an equally surprised expression.

Oh, Mary! - Product Media - Images & Videos - Asset #1

A person in a dark, Victorian-era outfit appears alarmed as they stand in a room with a wooden desk and a bookshelf filled with books.

Oh, Mary! - Product Media - Images & Videos - Asset #2

Two people in period costumes, a woman in a black dress and a man in a brown vest, stand indoors holding books, facing each other. A portrait hangs on the patterned wall behind them.

Oh, Mary! - Product Media - Images & Videos - Asset #3

Two actors perform passionately on stage in period costumes, with one standing and the other kneeling. They are in a room with patterned wallpaper, two doors, and a portrait of George Washington.

Oh, Mary! - Product Media - Images & Videos - Asset #4

Person dressed in 19th-century attire, with a dark dress and bonnet, passionately pointing and speaking in a theatrical performance on a stage with blue patterned wallpaper and a white door in the background.

Oh, Mary! - Product Media - Images & Videos - Asset #5

Two actors are performing on a stage. One is standing, holding a candlestick and wearing a black dress, while the other is kneeling, wearing historical attire. A portrait of George Washington is on the wall.

Oh, Mary! - Product Media - Images & Videos - Asset #6

Two individuals dressed in formal attire are standing in an enclosed balcony decorated with columns. An American flag is visible to the right. The scene has no audience in sight.

Oh, Mary! - Product Media - Images & Videos - Asset #7

Three actors in period costumes perform a scene on stage in a room with vintage decor and a portrait of a man on the wall. The actor on the left wears a formal outfit, while the other two wear Victorian dresses.

Oh, Mary! - Product Media - Images & Videos - Asset #8

Cole Escola created and stars in [*Oh, Mary!*](https://www.newyorktheatreguide.com/show/37743-oh-mary) off Broadway at the [Lucille Lortel Theatre](https://www.newyorktheatreguide.com/theatres/lucille-lortel-theatre) through March 24, 2024.

Escola is a writer and comedian known for their roles in the TV shows *Search Party, Big Mouth, Difficult People, At Home with Amy Sedaris*, and *Jeffery & Cole Casserole*, which Escola created with Jeffrey Self.

Escola was also a writer for the series *Difficult People, Ziwe*, and *The Other Two*. They now make their Off-Broadway debut as both a writer and performer with *Oh, Mary!*

Cole Escola - NY

The Lyceum Theatre is one of Broadway's longest running, and most storied venues. It is the oldest continually operating theatre in New York City, delivering its rich tradition and history since opening its doors in 1903. Uniquely, it is one of the few theatres that was built and still operates as a legitimate theatre. The stunning Beaux-Arts style facade and grandiose interior, designed by architects Herts & Tallant, are part of what make a night at Lyceum truly unforgettable one. The theatre has been home to a vast array of productions, from plays to musicals, and has played a key role in shaping the Broadway landscape. Some of the notable performances include 'The Voice Of The Turtle', 'Othello', 'Born Yesterday', and more recently, the Tony award-winning 'The Play That Goes Wrong'. 

 ## How to Get to the Venue 
 The Lyceum Theatre is prominently situated at 149 W 45th Street, almost in the very heart of Manhattan. It is well-serviced by public transport with several subway stations nearby - Times Square-42nd St (N,Q,R,S,1,2,3,7), 42nd St-Bryant Park (B,D,F,M), and 47th-50th streets-Rockefeller Center (B,D,F,M). Taxis and ride-share services like Uber are also readily available. Given its central location, it is also easily reachable by foot if you're already downtown.

Lyceum Theatre - NY

Lyceum Theatre 

The Lyceum Theatre is New York's oldest operating theatre, opening in 1903. It's central location allows for easy access with public transport.

Cole Escola

Conrad Ricamora stars as Mary's Husband in [*Oh, Mary!*](https://www.newyorktheatreguide.com/show/37743-oh-mary) off Broadway through May 12 and on Broadway at the [Lyceum Theatre](https://www.newyorktheatreguide.com/theatres/lyceum-theatre-ny).

Ricamora is best known for playing Oliver Hampton on the ABC TV show *How to Get Away with Murder*. His other screen credits include the Fox show *The Resident* and the Hulu movie *Fire Island*.

Ricamora originated the role of Ninoy Aquino in *Here Lies Love* off Broadway in 2013 and reprised the role on Broadway 10 years later. His other stage credits include *The King and I* on Broadway and *Soft Power* and [*Little Shop of Horrors*](https://www.newyorktheatreguide.com/show/24608-little-shop-of-horrors-tickets) off Broadway.

Conrad Ricamora - NY

Recommended for ages 14+. Children under 4 are not permitted in the theater.

Here Lies Love on Broadway - NYC

Here Lies Love on Broadway

Here Lies Love on Broadway - NYC Product Media

For [*Here Lies Love*](https://www.newyorktheatreguide.com/show/27415-here-lies-love-on-broadway), the storied [Broadway Theatre](https://www.newyorktheatreguide.com/theatres/broadway-theatre) has transformed into Club Millennium, a bright, pulsating discotheque sans orchestra seats. A disc jockey (Moses Villarama) pumps up the incoming crowd as energetic ushers, clad in pink jumpsuits, play air traffic control for patrons on the dance floor. A fitting setting for a musical about the rise of a dictatorship, no? 

[David Byrne](https://www.newyorktheatreguide.com/stars-on-stage/david-byrne) and Fatboy Slim’s musical, which began as a concept album, chronicles the ascent of Imelda Marcos’s power, fame, and fortune — and subsequent fall. Director Alex Timbers zeros in on Imelda’s lavish spending of ill-gotten money. And its narrative framework hangs on a fun historical fact: Imelda had a mirrored disco ball inside her New York townhouse and was a famously large presence in the city's disco scene. 

The show’s timeline spans from Imelda’s childhood in the 1930s to the People Power Revolution in 1986, telling her rags-to-riches story through disco-pop beats. A local beauty pageant deems Imelda the “Rose of Tacloban,” a title that inspires her to move to Manila, where she meets Congressman Ferdinand Marcos and helps him clinch the presidential election. The rest is a painful history of corruption, repression, and violence.

The immersive musical first bowed off Broadway at The Public Theater in 2013 before making waves in London, Australia, and stateside in Seattle. Now, *Here Lies Love* brings the [first all-Filipino cast on Broadway](https://www.newyorktheatreguide.com/theatre-news/news/meet-the-all-filipino-here-lies-love-broadway-cast), with a company including Jose Llana (Ferdinand Marcos) and Conrad Ricaroma (Ninoy Aquino), who originated their roles downtown. 

[Arielle Jacobs](https://www.newyorktheatreguide.com/theatre-news/interviews/arielle-jacobs-seizes-the-starring-role-of-imelda-marcos-in-here-lies-love-broadway) glitters as Imelda Marcos with her dulcet vocals and ability to transform from a “young girl from Leyte” to the stony “Steel Butterfly,” as the dictator came to be known. (Costume designer Clint Ramos’s pleated, butterfly-sleeve dresses help the metamorphosis.) Jacobs is disarming in the role.

As Ferdinand, Llana energizes supporters with friendly handshakes, and later, he asserts dominance with a simple glare. Ricamora's Ninoy, as the opposition leader, riles the crowd with his charming confidence and shines with solo numbers like “The Fabulous One.” Another standout is the incomparable [Lea Salonga](https://www.newyorktheatreguide.com/stars-on-stage/lea-salonga) as Aurora Aquino. Her number, “Just Ask the Flowers,” is a showstopper. (Salonga will play the role through August 13.)

The show's real star is the glitzy, all-encompassing set by David Korins. As the action unfolds, stage platforms shift, audience members shuffle, and video projections display live-action crowd shots and historical documents on large screens throughout the auditorium. A giant disco ball spins, reflecting light across the space. Annie-B Parson’s electrifying choreography, which includes a Filipino line dance with the audience, furthers the nightclub scene. 

Audience members whose knowledge of Imelda Marcos is limited to the fact that she owned 3,000 pairs of shoes will only leave with a partial understanding of this violent period. The musical has no book, and the punchy songs paint broad strokes of the 60-year history. (The program, given to the stage floor patrons upon exiting the theatre, includes an insert with a more detailed historical timeline that fills in the show’s gaps.)

Still, this rollicking, form-breaking musical party is well worth an RSVP. 

[*Here Lies Love* is at the Broadway Theatre. Get tickets for *Here Lies Love* on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/27415-here-lies-love-on-broadway)

*Photo credit: Arielle Jacobs and the cast of Here Lies Love on Broadway. (Photo by Billy Bustamante, Matthew Murphy and Evan Zimmerman)*

'Here Lies Love' review — disco-pop musical brings the party

Read our four-star review of *Here Lies Love* on Broadway, an immersive disco-pop musical featuring songs by David Byrne and Fatboy Slim. 

The Broadway Theatre is one of the most iconic and popular theatre venues in New York. Located at 1681 Broadway, the theatre is home to multitude of critically acclaimed Broadway musicals and plays. Since its inception in 1924, the Broadway theatre has been a pillar of the New York theatre industry, consistently presenting audiences with captivating performances and a wide variety of shows. The theatre boasts a large seating capacity of 1765, setting it apart from other Broadway theatres. Its key defining feature, the exceptional stage size, allows for large-scale musical productions. Notable performances that graced the theatre include 'South Pacific', 'The Color Purple', 'Miss Saigon', the revival of 'Evita' and 'Cinderella'. With a unique blend of classic architecture and modern technology, the Broadway Theatre not only delivers magnificent visual appeal but also excellent acoustics and comfortable seating. This combination creates an immersive viewing experience few other venues can rival.


##How to Get Here
The Broadway Theatre is easily accessible via public transportation. It’s easy to reach by subway. You can take the C, E, or 1 train to 50th Street or the N, R, or Q train to 57th Street. Alternatively, the theatre is served by buses M104, M10, M27/M50. If you prefer to drive, there are numerous public parking lots within a short walk. Bicycle parking is also available nearby.

Broadway Theatre - NY

Broadway Theatre

The Broadway Theatre, an iconic New York venue, hosts a plethora of captivating performances and is easily accessible via various transport.

Ages 5+. Children under the age of 4 are not permitted in the theatre.

Westside Theatre

Little Shop of Horrors - NYC [24608]

Little Shop of Horrors

Little Shop of Horrors - NYC [24608] Product Media 

The plant at the centre of <a href="/show/little-shop-of-horrors">Little Shop of Horrors</a> that feeds on human blood may have had its sights on world domination, but the musical that was based on the low-budget 1960 comedy sci-fi film of the same name has actually long achieved it, so it ultimately got what it wanted. And now the show has come full circle, 37 years on from its Off-Off-Broadway beginnings at the WPA Theatre (now no more) in May 1982, before moving to the larger Orpheum Theater on Second Avenue in the East Village that summer, where it ran for five years and became the highest-grossing show in Off-Broadway history until then, to find a new home at another Off-Broadway house just off Eighth Avenue in midtown Manhattan.In the intervening years, it has been turned into a feature film and played in the West End and on Broadway (the latter in a new production in 2003 that ran for less than a year at the Virginia Theatre, now the August Wilson), but its true home is a more modestly scaled place like the 270-seater <a href="/theatres/westside-theatre">Westside Theatre</a>, a former Baptist church built in 1889 that has been used as a theatre space since the mid-1970s.But while it is naturally a special pleasure and privilege to see the show at close quarters again, everything about this new version screams Broadway, from its above-the-title casting of multiple Tony Award nominees Jonathan Groff, Tammy Blanchard and two-time Tony winner <a href="/actor-profile/christian-borle">Christian Borle</a>, to its creative staff, led by director Michael Mayer, Tony winner for his original production of Spring Awakening. And unfortunately not everyone alas is willing to let the show sing and speak for itself, but&nbsp;seeks to portray it on a larger canvas.The production often feels too large and indulgent on this small stage, starting with Julian Crouch's expansive set that consumes the theatre. This may be the priciest Skid Row ever brought to an Off-Broadway stage.The performances are at times similarly exaggerated. In trying to mine new colours for Audrey, the abused floral shop assistant who falls for her work colleague Seymour as he nurtures a new exotic plant that he names Audrey II after her, Tammy Blanchard channels her into a sultry Rita Heyworth-inspired character, with her songs slowed down into torch songs of despair. 'Somewhere that's Green' sounds less aspirational of a better life than a dread doubt of ever achieving it.Jonathan Groff seems similarly depressed and downtrodden as Seymour, while Christian Borle plays the dentist Orin and a range of other characters purely as bright, eager caricature.There are some compensating pleasures from the trio of street urchins Ronnette (Ari Groover), Crystal (Salome Smith) and Chiffon (Joy Woods), who are a kind of Greek chorus observing and commenting on the action in Alan Menken's wonderful pastiche score. It is here that the enduring pleasures of the show itself are most apparent.Nicholas Mahon's new puppet designs for the plant itself are impressive as it grows ever larger. But less, in this production, would be more amongst the human elements.(Photo by Emilio Madrid-Kuser)<div class="block block-block contextual-links-region " id="block-block-9"><div class="block-inner clearfix"><div class="block-title"><h2>WHAT THE OTHER CRITICS SAID</h2></div></div></div>"A certain carnivorous plant has been repotted in Hell's Kitchen, and I am delighted to report that it's thriving there. This hot showbiz shrub of yesteryear, which goes by the name of Audrey II, has found a new dance partner, a performer who can coax the&nbsp;tendril-stretching star quality&nbsp;out of a freakish botanical specimen. That would be Jonathan Groff,&nbsp;who is generating major nerd charisma in Michael Mayer's delicious revival of Little Shop of Horrors." Ben Brantley&nbsp;for <a href="https://www.nytimes.com/2019/10/17/theater/little-shop-of-horrors-review-jonathan-groff-feeds-the-beast.html" target="_blank">New York Times</a>"Tight feels right, because the roots of Alan Menken and Howard Ashman's terrific show are in small houses. Now the insanely catchy doo-wop musical occupies the 270-seat Westside Theatre, with a bare-bones set and not a projection in sight. Freed from dealing with the usual trappings of modern musicals, you can feel the actors let their vines down." Johnny Oleksinski&nbsp;for <a href="https://nypost.com/2019/10/17/little-shop-of-horrors-review-jonathan-groff-tammy-blanchard-get-real/" target="_blank">New York Post</a>"Michael Mayer's deeply satisfying revival at the Westside Theatre, with a set by Julian Crouch, has the right sense of scale for a musical that began Off Broadway and is most at home there. It's a little show, and the closer we get to it, the more it sucks us in." Adam Feldman for <a href="https://www.timeout.com/newyork/theater/little-shop-of-horrors-review-revival-jonathan-groff-tammy-blanchard-christian-borle" target="_blank">Time Out New York</a>"What's most immediately captivating about the limited-engagement production is that, deluxe casting aside, it eschews Broadway scale in favor of a return to the show's roots in an off-Broadway theater that seats just 270. That accounts for the production's sell-out business, two-month extension and cluster of hopeful ticket-buyers waiting on cancellation lines at every performance. While it's become something of a classic, this remains at heart a scrappy little pastiche musical whose charms thrive most vibrantly in an intimate house." David Rooney&nbsp;for&nbsp;<a href="https://www.hollywoodreporter.com/review/little-shop-horrors-theater-review-1248089" target="_blank">Hollywood Reporter</a>"Directed at a quick clip by Michael Mayer,&nbsp;this Little Shop&nbsp;is played out on the small, tight stage of the Westside Theater with an ever-growing, masterfully manipulated plant (kudos to Eric Wright, Teddy Yudain, Kris Roberts, Chelsea Turbin). The close confines give this Little Shop&nbsp;the intimacy of home viewing." A.D. Amorosi&nbsp;for&nbsp;<a href="https://variety.com/2019/legit/reviews/little-shop-of-horrors-review-jonathan-groff-1203370043/" target="_blank">Variety</a>&nbsp;

Review of Little Shop of Horrors, starring Jonathan Groff, Tammy Blanchard & Christian Borle, at Westside Theatre

Westside Theatre, located in the heart of New York City, is a true spectacle for all theatre enthusiasts. This performing arts venue is renowned for its unique and diverse range of productions, from Tony Award-winning plays to innovative off-Broadway performances. The theatre is divided into Upstairs and Downstairs theatres, which allows simultaneous performances. The upstairs theatre, located on the second floor, accommodates 270 people, while the downstairs theatre has a capacity of 249 seats. Outfitted with modern sound and lighting systems, it provides an intimate and immersive experience for audiences. Traditional architecture mixed with contemporary designs creates a unique ambiance that can only be found in this legendary theatre.

**How to get to Westside Theatre**: The theatre is situated at 407 W 43rd St. The nearest subway is at 42nd Street, which you can access through the A, C, or E trains. If you prefer to drive, several parking garages are located nearby. Due to its central location, Westside Theatre is also easily reachable by local buses, taxis, or rideshares.

Westside Theatre - NYC

Westside Theatre in NYC hosts diverse performances in its two theatres. It's readily accessible via subway, bus, taxi or rideshare.

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Lyceum Theatre  - TodayTix

The Lyceum Theatre is Broadway's oldest continually operating theatre. Designed by Herts & Tallant and built by producer-manager David Frohman, the theatre officially opened on November 2, 1903. It was a replacement for Frohman's previous Lyceum Theatre on Fourth Street, which closed in 1902.

The inaugural production at the venue was the play *The Proud Prince*. The Lyceum Theatre was purchased in 1940 by a conglomerate of producers which included George S. Kaufman and Moss Hart, and in 1950, the Shubert Organization took ownership of the theatre. In 1974, the Lyceum Theatre became the first Broadway theatre to be granted landmark status.

## How to get to the Lyceum Theatre on Broadway

The Lyceum Theatre is closest to the 42nd Street - Times Square subway stop on the 1, 2, 3, 7, N, Q, R, W, and S lines. The closest bus stops are 6th Ave/W 44th St. on the M55, QM2, QM3, QM4, QM15, QM16, QM17, QM18, and QM20 lines; and 6th Ave/West 45th St. on the QM1, QM5, QM6, M5, and M7 lines.

## Restaurants near the Lyceum Theatre

Popular restaurants near the Lyceum Theatre include Havana Central (Cuban), Carmine's (Italian), Connolly's Irish pub, and Junior's (American). [Learn more about popular pre- and post-show restaurants in the Theatre District.](https://www.newyorktheatreguide.com/theatre-news/news/where-to-eat-before-and-after-a-broadway-show)

Lyceum Theatre  - New York Theatre Guide

The Lyceum Theatre, Broadway's oldest, opened in 1903. Now owned by the Shubert Organization, it's closest to 42nd Street - Times Square subway stop.

Day of week	Evening
Monday	-
Tuesday	-
Wednesday	7:30 PM
Thursday	8:30 PM
Friday	-
Saturday	-
Sunday	-

Oh, Mary! Tickets

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Conrad Ricamora

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